When I begin to translate my inspiration into metal, I work very intuitively, allowing space for serendipity. With the original inspiration in mind, I begin a dialogue with the metal. What is the best way to translate a unique quality of fluid line into such a solid medium as metal? How does a piece change when I start with the same cut in the metal but then vary the amount of pressure put upon the metal with the hydraulic press? Through a process of careful decision making, both in material and technique, I begin working the hard, cold material toward a relationship with the body.